The colours and look of the film are all very exaggerated and oversampled, i'm not going to lie, but with such a masterfully woven story, the two go together like Eggs and Bacon, although I doubt highly that Samurai swords are edible. Here was have Tarantino at his flashiest but supplemented with a reservoir of substance which endures throughout the film. The entirety of Volume 1 is very much a build up that never fully stops, which is unique even to revenge flicks as they usually ebb and flow with a lot of changes to the pace. 1 is by far the stronger half of the duo. We had it with Reservoir Dogs, a heist film where we never see the heist, and with both Pulp Fiction and Inglorious Basterds - two more films which take what is typical and throw it aside.Īfter multiple views, I still say that Kill Bill Vol.
#KILL BILL 1 2 MOVIE#
If there's one thing we've learned about Quentin Tarantino as a screenwriter and director is that one should never expect a typical movie that fits the stereotypes of the genre exactly - or even remotely. Rating: R (Some Sexual Content|Language|Strong Bloody Violence)ĭolby Stereo, Dolby A, SDDS, DTS, Surround, Dolby Digital, Dolby SR
After devising a hit list, The Bride sets off on her quest, enduring unspeakable injury and unscrupulous enemies. Fueled by an insatiable desire for revenge, she vows to get even with every person who contributed to the loss of her unborn child, her entire wedding party, and four years of her life. A former assassin, known simply as The Bride (Uma Thurman), wakes from a coma four years after her jealous ex-lover Bill (David Carradine) attempts to murder her on her wedding day.
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